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Artigos

ANO XX – NÚMERO 25 – 2018

MUSIC THERAPY, INTUITION AND COUNTERTRANSFERENCE

  • André Brandalise
DOI
https://doi.org/10.51914/brjmt.25.2018.35
Enviado
28 febrero 2021
Publicado
30-12-2018

Resumen

The aim of this study is to present theoretical content about countertransference. The paper discusses the origin of countertransference, as well as contemporary music therapy perspectives through a music-centered approach and plurimodal. The paper will present how the countratransference was initially thought, the difference between countertransference and intuition and how countertransference can be thought in terms of music therapy.

Citas

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  2. BRANDALISE, André. Musicoterapia Músico-centrada. São Paulo: Apontamentos, 2001.
  3. BRANDALISE, André. Music Therapy: The Use of Music for Healing. Voices: A World Forum for Music Therapy. Retrieved November 16, 2009, from http://www.voices.no/mainissues/mi40004000137.htmltamentos, 2004. DOI: https://doi.org/10.15845/voices.v4i1.139
  4. BRUSCIA, Kenneth E. Modes of Consciousness in Guided Imagery and Music: A Therapist’s Expereince of the Guiding Process. pp. 491-525. In Bruscia (ed.) The Dynamics of Music Psychotherapy. Gilsum, NH: Barcelona Publishers, 1998.
  5. BRUSCIA, Kenneth E. Reimaging Client Images: A Technique for Exploring Transference and Countertransference in Guided Imagery and Music. pp. 527-548. In Bruscia (ed.) The Dynamics of Music Psychotherapy. Gilsum, NH: Barcelona Publishers, 1998.
  6. CHAZAN, Cristina. Contratransferência na Técnica Psicanalítica. Hamburg: unplished manuscript, 1998.
  7. PRIESTLEY, Mary. Essays on Analytical Music Therapy. Gilsum, NH: Barcelona Publishers, 1994.
  8. ROBBINS, Carol; ROBBINS, Clive. Healing Heritage: Paul Nordoff Exploring the Tonal Language of Music. Barcelona Publishers, 1998.
  9. SCHEIBY, Benedikte B. The Role of Musical Countertransference In Analytical Music Therapy. pp. 213-247. In Bruscia (ed.) The Dynamics of Music Psychotherapy. Gilsum, NH: Barcelona Publishers, 1998.
  10. ZUCKERKANDL, Victor. Sound and Symbol: Music at the External World. Princeton University Press, 1973.

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