As the dissertation product for the Professional Master's program in Health Promotion and Violence Prevention at the UFMG Faculty of Medicine, we present in this work the construction of a decolonial, anti-oppressive, and emancipatory course for the Music Therapy program at UFMG, in response to the curricular gap on discussions of race, gender, and sexuality. The proposal, titled "Prevention and Confrontation of Violence, Health Promotion, and Emancipatory Practices in Music Therapy," is structured into four thematic paths: Intersectionalities; Violence; Decolonial and Emancipatory Theories; and Health Promotion and Emancipatory Practices in Music Therapy. Grounded in critical theoretical frameworks, the objective is to outline a course that offers students tools for a professional practice that understands and confronts structural and institutional violence from an intersectional perspective. It aims to develop critical consciousness and empower care practices aligned with social justice and human rights, contributing to the transformation of the realities in which they work. The initiative positions music therapy training as an ethical-political act, engaged with contemporary social struggles
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