How a profession is made up? How this kind of emergency is produced by collective within socio-technical network? Who would be these actants, the agencies, the controversies involved? Setting out from one of the biggest materialities of this network, the Law Project 0025/2005, we intend to map out controversies, inscriptions, spokesmen and all the necessaries devices to the disputes that perform the music therapists collective. The “entrance”, as suggested by Latour, is the Project, whose texts and the confection itself are sources of controversial events that will show us a rhizomatic and dynamic configuration of the group we intend to reach. When the groups are performed and self called “category”, “class” or “profession”, their spokesmen will be willing to define them, although in a precarious form: frontiers, qualifications, market reserves and technical terminologies, indicating a territory in order to make their productions more lasting, until it becomes unquestionable.
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